Con il presente documento, ai sensi degli artt. 13 e 122 del D. Lgs. 196/2003 (“codice privacy”), nonché in base a quanto previsto dal Provvedimento generale del Garante privacy dell’8 maggio 2014, ISayBlog titolare del trattamento, fornisce gli utenti del sito alcune informazioni relative ai cookie utilizzati.
Cosa sono
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I cookie sono inviati al browser dell’utente (Internet Explorer, Mozilla Firefox, Google Chrome, ecc.) dal sito web visitato, in particolare dal server web (ovvero il computer sul quale è in esecuzione il sito web). Nel corso della navigazione l’utente potrebbe ricevere anche cookie di siti diversi (di “terze parti”), impostati direttamente da gestori di detti siti web e utilizzati per le finalità e secondo le modalità da questi definiti.
Tipologie di cookie utilizzati in questo sito web
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Per consultare l’informativa privacy della società Google Inc., titolare autonomo del trattamento dei dati relativi al servizio Google Analytics, si rinvia al sito internet http://www.google.com/intl/en/analytics/privacyoverview.html
Al seguente link https://tools.google.com/dlpage/gaoptout è inoltre reso disponibile da Google il componente aggiuntivo del browser per la disattivazione di Google Analytics.
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Dati personali raccolti: cookie e dati di utilizzo.
Per maggiori informazioni: Privacy Policy
Pubblicità
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I Social buttons sono quei particolari “pulsanti” presenti sul sito che raffigurano le icone di social network (esempio, Facebook e Twitter) e consentono agli utenti che stanno navigando di interagire con un “click” direttamente con i social network.
I social buttons utilizzati dal sito nella pagina “Contatti” e nel footer della pagina, nell’area dedicata alla pubblicazione dei dati societari, sono dei link che rinviano agli account del Titolare sui social network raffigurati. Tramite l’utilizzo di tali pulsanti non sono pertanto installati cookie di terze parti.
I social buttons utilizzati invece nella pagina “Blog” consentono al social network cui l’icona si riferisce di acquisisce i dati relativi alla visita. Tramite l’utilizzo di tali pulsanti sono pertanto installati cookie di terze parti, anche profilanti. Il sito non condivide però alcuna informazione di navigazione o dato dell’utente acquisiti attraverso il proprio sito con i social network accessibili grazie ai Social buttons.
Si riportano i link ove l’utente può prendere visione dell’informativa privacy relativa alla gestione dei dati da parte dei Social cui i pulsanti rinviano:
https://support.twitter.com/articles/20170519-uso-dei-cookie-e-di-altre-tecnologie-simili-da-parte-di-twitter
https://www.facebook.com/help/cookies
https://www.linkedin.com/legal/cookie_policy
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Conferimento dei dati
Fatta eccezione per i cookie tecnici, il conferimento dei dati è rimesso alla volontà dell’interessato che decida di navigare sul sito dopo aver preso visione dell’informativa breve contenuta nell’apposito banner e/o di usufruire dei servizi che richiedano l’installazione di cookie (così per la condivisione dei contenuti tramite Add This).
L’interessato può evitare l’installazione dei cookie mantenendo il banner (Astenendosi dal chiuderlo cliccando sul tasto “OK”) nonché attraverso apposite funzioni disponibili sul proprio browser.
Disabilitazione dei cookie
Fermo restando quanto sopra indicato in ordine ai cookie strettamente necessari alla navigazione, l’utente può eliminare gli altri cookie attraverso la funzionalità a tal fine messa a disposizione dal Titolare tramite la presente informativa oppure direttamente tramite il proprio browser.
Ciascun browser presenta procedure diverse per la gestione delle impostazioni. L’utente può ottenere istruzioni specifiche attraverso i link sottostanti.
Microsoft Windows Explorer
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Apple Safari
La disattivazione dei cookie di terze parti è inoltre possibile attraverso le modalità rese disponibili direttamente dalla società terza titolare per detto trattamento, come indicato ai link riportati nel paragrafo “cookie di terze parti”.
Per avere informazioni sui cookie archiviati sul proprio terminale e disattivarli singolarmente si rinvia al link: http://www.youronlinechoices.com/it/le-tue-scelte
Diritti dell’interessato
Art. 7 D. Lgs. 196/2003
1. L’interessato ha diritto di ottenere la conferma dell’esistenza o meno di dati personali che lo riguardano, anche se non ancora registrati, e la loro comunicazione in forma intelligibile.
2. L’interessato ha diritto di ottenere l’indicazione:
a) dell’origine dei dati personali;
b) delle finalità e modalità del trattamento;
c) della logica applicata in caso di trattamento effettuato con l’ausilio di strumenti elettronici;
d) degli estremi identificativi del titolare, dei responsabili e del rappresentante designato ai sensi dell’articolo 5, comma 2;
e) dei soggetti o delle categorie di soggetti ai quali i dati personali possono essere comunicati o che possono venirne a conoscenza in qualità di rappresentante designato nel territorio dello Stato, di responsabili o incaricati.
3. L’interessato ha diritto di ottenere:
a) l’aggiornamento, la rettificazione ovvero, quando vi ha interesse, l’integrazione dei dati;
b) la cancellazione, la trasformazione in forma anonima o il blocco dei dati trattati in violazione di legge, compresi quelli di cui non è necessaria la conservazione in relazione agli scopi per i quali i dati sono stati raccolti o successivamente trattati;
c) l’attestazione che le operazioni di cui alle lettere a) e b) sono state portate a conoscenza, anche per quanto riguarda il loro contenuto, di coloro ai quali i dati sono stati comunicati o diffusi, eccettuato il caso in cui tale adempimento si rivela impossibile o comporta un impiego di mezzi manifestamente sproporzionato rispetto al diritto tutelato.
4. L’interessato ha diritto di opporsi, in tutto o in parte:
a) per motivi legittimi al trattamento dei dati personali che lo riguardano, ancorché pertinenti allo scopo della raccolta;
b) al trattamento dei dati personali che lo riguardano a fini di invio di materiale pubblicitario o di vendita diretta o per il compimento di ricerche di mercato o di comunicazione commerciale.
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Joker: Folie À Deux director Todd Phillips ‘wanted nothing to do with DC’ during making of the $200million flop film,
a new report has claimed.
The hotly-anticipated sequel to the 2019 billion dollar Oscar-winning film –
stars Joaquin Phoenix and Lady Gaga and was considered a surefire hit for Warner Bros Pictures – but was slammed by critics and failed to ignite
at the box office.
The sequel has been roundly criticized for being a musical and ‘ignoring’
the DC fanbase – with an agent familiar with Phillips’ process telling Variety he ‘wanted nothing to do with DC’ during the making
of the film, with DC bosses James Gunn and Peter Safran notably absent from the
film’s LA premiere afterparty last month.
A source said: ‘If the first movie was about some down-on-his-luck, mentally ill guy in a downtrodden city, it
makes maybe $150 [million] worldwide. Not a billion. People
showed up because that guy was Joker.’
In an apparent snub by Phillips, the opening sequence of
the film does not include a DC Studios logo.
On Rotten Tomatoes, the movie currently holds an audience score of 31% and a critic score of 32%
The hotly-anticipated sequel to the 2019 billion dollar Oscar-winning film – stars
Joaquin Phoenix and Lady Gaga – seen with Phillips last month – and was considered a surefire hit for Warners Bros Pictures – but was slammed by critics and failed to ignite at the box office
A DC spokesman said Gunn was directing the Max series Peacemaker in Atlanta,
which had lost a day of production due to Hurricane Helene, while Safran was sick.
Read More
Joker: Folie À Deux is branded ‘bleak’ and
the ‘most disappointing follow-up’ by critics
A Warner spokesman added that a DC logo appears at the end of
the Joker sequel. while Phillips declined to comment to
the publication.
Several frictions are said to have developed between Phillips, DC and Warner- with claims that Michael DeLuca, Chairperson of Warner Bros.
Entertainment, and CEO Pamela Abdy seemed ‘unwilling’ to say no to Phillips due to his huge past
successes.
It is claimed Phillips would ‘only’ speak with DeLuca
and Abdy rather than Gunn and Safran – who took control of
DC two months before production began on Joker 2 in December
2022.
Gunn and Safran did attend the first director’s cut screening for the studio but Phillips fueled rift speculation when he told a reporter:
‘With all due respect to them, this is kind of a
Warner Bros. movie.’
Warner Bros. Discovery CEO David Zaslav also met with Phillips shortly after WarnerMedia and Discovery merged in April 2022 and was ‘open to filming in Los Angeles if
the director would make the sequel at a lower price
point.’
The studio wanted to film in London which would have cost around 20 per cent less.
However, Phillips insisted on filming in LA
with the budget remaining static.
The sequel has been roundly criticized for being a musical and ‘ignoring’ the DC fanbase – with an agent
familiar with Phillips’ process telling Variety he ‘wanted nothing to do with
DC’ during the making of the film, with DC bosses James Gunn and Peter Safran notably absent from the film’s
LA premiere afterparty last month
A Warner spokesman told the publication the studio ‘supported the decision to film
in Los Angeles’.
A source directly involved with the film said: ‘No one could get through to Todd.
And the one thing about genre stuff: If you don’t
listen and pay attention to what the fan expectations are, you’re going to fail.
Insiders also claim studio bosses did not want to premiere the film at
the Venice Film Festival, but Phillips pushed back – with a Warner spokesman saying
the studio ‘fully supported the decision to bring the film to
Venice.
Joker: Folie À Deux has garnered the lowest CinemaScore in comic
book movie history as the film bombed at the box office
on opening night.
It has only made $114million worldwide against its $200million budget.
The psychological musical thriller — which has been criticized as ‘bleak’ and ‘disappointing’ — officially released in theaters on Friday, October 4, but it only raked in $20 million at the domestic box office, per The Hollywood Reporter.
Phoenix reprised his role as the Joker in the sequel,
which had earned him an Oscar for his portrayal in the 2019 film, while Gaga took on the role of
Harleen Lee Quinzel (Harley Quinn).
However, Joker: Folie À Deux has been given a D rating on CinemaScore
— the lowest score for a comic book movie.
Madame Web — which notably also flopped in theaters earlier this year and also received terrible reviews — holds a higher score with a
C+.
On Rotten Tomatoes, the movie currently holds an audience score of 31% and a critic score of 32%.
The sequel is projected to rake in less that $50 million at the domestic
box office during the entirety of opening weekend, per The Hollywood Reporter.
Weeks ago, the movie had been projected to bring in around $70 million – but the number has since
drastically dropped.
Joker (2019) notably opened with $96.2 million when the film first released in theaters – and eventually landed a
little over $1 billion in the global box office.
The first movie – which was also directed by Todd Phillips – had a budget of
between $55 and $70 million. However, the budget increased for Folie À Deux to
around $200 million.
The 2019 movie garnered praise and positive reviews from both critics and audiences – and won the
Golden Lion during the 76th Venice International Film Festival.
Joaquin received an Oscar for Best Actor for his portrayal
of the Joker (Arthur Fleck) – and the film garnered an additional Academy Award for Best Original
Score.
The sequel also screened during the Venice International Film
Festival last month in September, where it earned a 12-minute standing ovation, per Deadline.
A source directly involved with the film said: ‘No one could get through to Todd.
And the one thing about genre stuff: If you don’t listen and pay attention to what the fan expectations are, you’re going to fail.
However, audiences have since taken to X after
the movie released in theaters on Friday – and shared their opinions on the sequel, which features musical sequences.
One fan penned, ‘Joaquin Phoenix don’t deserve this.
what happened to the script?’ while another added, ‘is
it that bad,’ followed by a crying face emoji.
‘Ironically I feel that a musical, if done well,
could have been a good choice. It’d show how much of an unreliable narrator Fleck is,’ one typed.
‘But with some original songs, that keep everything vague, not just covers.
Also when I heard of the ending I snorted fr.’
A social media user wrote, ‘Stop making sequels as musicals if the original
wasn’t a musical.’
‘Maybe he [Phillips] only had an hour long movie, and decided to randomly
add musical scenes to fill the runtime,’ one penned.
‘Joker downfall really needs to be studied,’ another shared,
along with a monkey staring out a window.
One fan said, ‘the movie sucks. i had to walk out of the cinema,’
while another penned, ‘After years of disagreement….*Joker 2 releases* Critics [shaking hands] Audience.’
However, audiences have since taken to X after the movie released in theaters on Friday – and shared their opinions over the sequel,
which was also a musical
‘Ironically I feel that a musical, if done well, could
have been a good choice. It’d show how much of an unreliable narrator Fleck
is,’ one typed
‘Joker downfall really needs to be studied,’ another shared, along with
a monkey staring out a window
‘That’s way below what we expected,’ one wrote in regards to the current Rotten Tomatoes scores.
‘People are saying this is the worst sequel ever.’
A fan explained, ‘yea this film was bad. it was pretentious and dull.
has the aesthetic of an arthouse film without the substance.’
‘It also insults the audience’s intelligence. the songs were also underwhelming too.
they shouldn’t have let this escape to theaters.’
One shared, ‘The audience that loved the first movie is not the same
audience running to see musicals. This was a gigantic mistake from step 1.’
During an interview with The Hollywood Reporter, Phillips discussed whether he
would be interested in making a third Joker film or a movie centered around Gaga’s character.
‘It’s not really where this movie is headed for me.
I feel like my time in the DC Universe was these two films.’
Ahead of the movie’s release, Lady Gaga also dropped an accompanying album titled Harlequin on September 27.
Joker: Folie À Deux has been branded the ‘most disappointing follow-up to the Oscar-winning movie’ by critics, as they cast doubt on Lady Gaga’s ‘thin’ role
in the film following its release on Friday.
‘That’s way below what we expected,’ one wrote in regards to
the current Rotten Tomatoes scores. ‘People are saying this is the worst sequel ever’
A fan explained, ‘yea this film was bad. it was pretentious and dull.
has the aesthetic of an arthouse film without the substance’
The ‘bleak’ sequel, has also received a tepid reception from fans, with some claiming Lady Gaga’s career could be at
risk.
While the same director Todd Phillips was back in the hot seat, critics have said the sequel is just a
‘repeat’ of the first hit but with an added musical twist.
Most critics have said Todd failed to use Gaga correctly in the movie
and claimed she was only bought in for the musical aspect of it.
While the majority of critics say Joker: Folie À Deux didn’t live up to expectations, others
have dubbed the movie ‘bold’ and ‘brilliant.’
Daily Mail’s Brian Viner commended the move as ‘bold’ and ‘brilliant’
but said it lacked any thrill.
The Independent’s Geoffrey Macnab said: ‘Today
Joker is best remembered as one of the most subversive and original films of the last decade, while
its hugely anticipated sequel is just as bleak and formally daring as its predecessor’.
Meanwhile, the Irish Times’ Donald Clarke gave the movie just two stars but credited Phillips’ work for making a sequel following
the first movie’s $1billion success.
Financial Times critic Danny Leigh said although Gaga worked hard to bump the ratings up in the sequel,
Phillips appeared to have no idea what to do with her.
Giving a three star rating, The Guardian’s Peter Bradshaw
claimed the movie proves ‘claustrophobic’ and ‘repetitive.’
Joker: Folie À Deux has been branded the ‘most disappointing follow-up to the Oscar-winning movie’
by critics, as they cast doubt on Lady Gaga’s ‘thin’ role in the film following its release on Friday; seen in September in London
The Times’ Kevin Maher wrote: ‘The director Todd Phillips said there would be no follow-up to the original, but he changed his mind and the result
is a derivative musical’
‘This might be the most disappointing follow-up to an Oscar-winning performance since Anthony
Hopkins reworked his silky and terrifying Dr Lecter from for the campy, kitschy.’
Along with Lady Gaga and Joaquin Phoenix, other stars that had appeared in the sequel include Brendan Gleeson, Catherine
Keener, Zazie Beatz and Steve Coogan.
Joker: Folie à Deux has faced additional backlash from fans as they have
claimed that Gaga is running the risk of losing her acting career.
Lady GagaJoaquin Phoenix
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